Progressive Jazz

In parallel with the rise of bebop in the medium of jazz music is developing a new genre – progressive jazz, or simply progressive. The main difference in this genre is the desire to move away from a frozen cliche big bands and obsolete, old tired tricks of so-called. simfodzhaza introduced in 1920 by Paul Uaytmenom. Unlike bopperov, the creators did not aspire to progressive radical rejection of the jazz tradition, established at the time. Rather, they sought to updating and improving the swing phrases models, introducing the practice track recent developments in European symphonic tone and harmony. The largest contribution to the development of concepts of "progressive" introduced pianist and conductor Stan Kenton. From his early work actually begins progressive jazz early 1940s.

The sound of instrumental music, sung his first orchestra was close to Rachmaninoff, and composition was carried features of late Romanticism. The scientists of the reputed pharmacies viagra samples amerikabulteni.com (Pfizer, Ajanta, Ranbaxy etc.) endeavored to bring up the medical help for the people who are suffering from impotency.www.rxbuys.com is the final solution to fulfil your all our dreams. But, when it comes to have foods for erectile dysfunction: amerikabulteni.com viagra 50 mg Some foods are very much beneficial for the removing the problem of erectile dysfunction in men, also called impotence. It hangs about our necks in the form of a medicine under the brand amerikabulteni.com order cialis name of Himalaya Herbals as Confido. A problem in the manner our overnight cialis body uses more oxygen, approximately 20 times more than when we are in rest. However, the genre was closer to simfodzhazu. Later, during a famous series of his albums Artistry, elements of jazz ceased to act as a color, and is seamlessly woven into musical material. Along with Kenton, the credit for this belongs to his best musical arranger Pete Rugolo, a disciple of Darius Milhaud. Modern (for the year) symphonic sound, staccato particular technique Saxophone in the game, bold harmonies, frequent and second blocks, along with jazz and rhythm politonalnostyu pulsation – hallmarks of the music that Stan Kenton for many years, went down in history as one of jazz innovators who have found a common platform for European culture and the symphonic elements of bebop, especially noticeable in the plays, where the solo instrumentalists as opposed to the rest of the sounds of the orchestra. It should be noted also and great attention paid Kenton in his compositions, improvised the solo, which include world-renowned drummer Shelly Mayne, bassist Ed Safransky, trombonist Kai Winding, June Christy, one of the best jazz vocalists of the time. Loyalty to the chosen genre, Stan Kenton kept throughout his career. In addition to Stan Kenton, contribute to the development of the genre have also made interesting arrangers and instrumentalists Boyd Ryburn and Gil Evans. A kind of apotheosis of the progressive development, along with the previously mentioned series Artistry can be considered and a series of albums recorded big band Gil Evans with Miles Davis' ensemble in 1950-1960's, for example "Miles ahead," "Porgy and Bess" and "Spanish paintings." Shortly before his death, Miles Davis once again turned to this genre, writing the old aranzhementy Gil Evans big band with Quincy Jones.